An artist's statement is a short piece written by you, the creative mind behind it all, to accompany a particular painting or group of paintings. An artist's statement shouldn't be dismissed as insignificant or dashed out in a hurry as it's a vital selling tool, promoting and explaining your work to people looking at your paintings, whether they're potential buyers, exhibition curators, critics, fellow artists, or casual browsers. At its best, an artist's statement reads easily, is informative, and adds to your understanding of the artist and the painting. Rather make an artist's statement too short than too long — most people simply won't have the patience to read a lengthy treatise and many will be put off before they've even started. Aim at around words or three short paragraphs.
How to become a concept artist (and what to do once you've made it)
FREE 15+ Artist Statement Examples & Samples in PDF | DOC | Examples
Try typing something like "creative blocks", "spiral", "world", "green" or "blue" and our snail will find what you're looking for. I like to think of the artist statement as the wedding toast of the art world. This, despite the fact that I write about art for a living. Copied link to guide! An artist statement is a not-too-long series of sentences that describe what you make and why you make it. I wrote my first substantial one when I applied to MFA programs. It truly helps me understand my own practice to sit down every few months and translate this nonverbal solitary thing I spend countless hours on into words for a specific audience.
It can be regarded as a global goal or motto that provides the design team with an orientation point during the whole design process, just as a lighthouse serves as an orientation point for ships during the night. By establishing a common vision throughout the design process, it serves as an anchor point or common ground for the design team. Generally, if a team lacks a common vision, like that captured by the concept statement, the design may become contradictory or ambiguous.
We were only a small group of students, so lectures and tutorial were always on a more personal basis. There were many opportunities to discuss, create and exhibit paintings, sculptures, photography and conceptual art. This experience along with the dedication of my tutors, who provided me with constant support and inspiration was very influential on me, both in terms of my work, how I perceived art and my future career ambitions.